6 Exposure, f1.8 - f4.6, ND and CPL filters, exposure time 1/320 - 4 |
In my previous photo, The Lone Tree, I experimented with using the tripod's lack of stability to my advantage- this technique's use here was more subtle, but it went a long way to my goal of a watercolor-like photo with a touch of inverisimilitude. To accomplish this, the misaligned exposures were difference'd and processed into a relative depth map, differentiated, and then used to multiply the base exposures.
For my trouble, I arrived at a photograph with exaggerated (pseudo) ambient occlusion, and subtle edge highlights. The next step was to change the weighting I normally used to blend the overexposure and base layers, increasing the saturation and value transfer, resulting in a photo not quite realistic, but eye-catching nonetheless.
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